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The Roksan Kandy series, which debuted in 2000, included the KA-1 integrated amplifier, KC-1 CD player, and KT-1 tuner.
The KA-1 amplifier was known for delivering an impressive 110 watts per channel at 8 ohms and 170 watts at 4 ohms, making it powerful enough to drive a wide range of speakers. It offered an excellent balance between performance and value, appealing to both audiophiles and casual listeners alike. Packed with features, the KA-1 boasted six RCA input jacks and a tape loop, all of which were easily controlled via the supplied remote or front-panel controls. Its third line-level input could be switched to a moving-magnet phono input, catering to vinyl enthusiasts, but without sacrificing an input for those not using turntables. Additionally, it featured a headphone jack, a 20dB mute control, and a well-organized layout on the back with high-quality speaker posts and input jacks. Its detachable power cord offered flexibility for users who liked to experiment with cables. The inclusion of a large, centrally positioned transformer and neatly arranged circuit board underlined its robust construction.
The KA-1 also stood out for its thoughtful design, including a slightly quirky LED mode indicator that turned green when the unit was off and red when it was on. While this was unusual, users quickly adapted. Inside, the amplifier’s design reflected its durable and heavy-duty exterior, with a solid transformer and heatsinks on each side, reinforcing the high build quality that Roksan became known for.
The KC-1 CD player complemented the KA-1 both aesthetically and sonically. Featuring Burr-Brown 1716 24-bit/96kHz DACs, it offered excellent sound quality at its price point. It also included RCA and TosLink optical outputs, allowing it to function as a CD transport. The KC-1’s detachable power cord added a practical touch, and like the amplifier, its aluminium faceplate contributed to a premium, durable feel. The CD player’s straightforward design, featuring all standard playback controls, made it an easy-to-use and reliable component for audiophiles.
Both the KA-1 and KC-1 shared a sleek, all-metal chassis with 6mm-thick aluminium faceplates, which were available in various colours, such as metallic green and purple or automotive finishes like pink and black. This customisation option helped the Kandy series stand out and allowed users to express their personal style.
Sound-wise, the KA-1 delivered quick, detailed, and precise audio. Its pairing with the KC-1 provided a clean and clear listening experience, with great image separation and clarity. While the sound leaned slightly towards a drier, more neutral presentation, it excelled in maintaining a tight, controlled response, particularly with rock and pop music. Its sound staging was commendable for its price, offering a strong lateral spread and depth, though it couldn’t compete with significantly more expensive components. When tested with a variety of music, the KA-1 handled complex arrangements well, and despite its slightly dry midrange and higher frequencies, it still provided an incisive and engaging sound. Percussion came through with a lively "thwack," rather than a soft "whoomp," making it a dynamic performer in a wide variety of musical genres. The KC-1, while not as warm as some tube-based players, offered a similarly clean and precise delivery, with excellent build quality and aesthetics.
Kandy Series - 2000